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  • Sociology Notes – On Celebrity Culture – For W.B.C.S. Examination.
    Posted on September 30th, 2019 in Sociology
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    Sociology Notes – On Celebrity Culture – For W.B.C.S. Examination.

    সমাজবিজ্ঞানের নোট – সেলিব্রিটি সংস্কৃতি – WBCS পরীক্ষা।

    Celebrity culture is characterized by a pervasive preoccupation with famous persons and an extravagant value attached to the lives of public figures whose actual accomplishments may be limited, but whose visibility is extensive. It became a feature of social life, especially in the developed world, during the late 1980s/ early 1990s and extended into the twenty first century, assisted by a global media which promoted, lauded, sometimes abominated, and occasionally annihilated figures, principally from entertainment and sports.Continue Reading Sociology Notes – On Celebrity Culture – For W.B.C.S. Examination.

    While some have argued that there have been acclaimed and illustrious characters of considerable renown since the days of the Macedonian king Alexander the Great in the third century BCE, and perhaps before, the distinguishing features of contemporary celebrity culture are: the prodigious number of famous individuals whose fame is predicated less on achievement and more on the attention of the media; the ubiquity of their representation; and the immoderate esteem afforded them by a wide constituency of consumers.

    A further distinguishing peculiarity of celebrity culture was the shift of emphasis from achievement based fame to media driven renown. This was captured in the contrived verb to celebrify, which, while never formally defined, might be interpreted to mean ‘‘to exalt; praise widely; make famous; invest common or inferior person or thing with great importance.’’

    In his Illusions of Immortality, David Giles (2000: 25) submits that: ‘‘The ultimate modern celebrity is the member of the public who becomes famous solely through media involvement.’’ While the ‘‘ultimate’’ celebrity’s rise might be attributable ‘‘solely’’ to the media, celebrities typically performed some deed, however modest, to attract initial attention. That deed might involve an appearance on a reality television show, a criminal action, or an inept showing at a major sports event. In other words, conduct that would hardly be regarded as commendable and deserving of recognition in earlier eras, perhaps as recently as the 1980s.

    During the late 1980s and early 1990s, however, conceptions of merit were rendered indeterminate and figures who traditionally earned distinction and drew praise for their efforts vied with more prosaic characters whose achievements were often uncertain. This heralded what we might call the Age of the Celebrity, in which idolatrous followings accrued to what seemed literally worthless individuals. In fact, they were not worthless, worth being an equivalent value of merit conferred on someone or something by a population. Whether the neophyte celebs actually deserved reverence is a less interesting question to a sociologist than the reasons why so many believed they deserved it. A participant in a reality television show, a contestant in a quiz show, a hitherto unknown bank clerk featured in an advertising campaign: these were the types of characters who ascended from obscurity to public visibility and, in some cases, veneration. They became estimable without seeming to do anything.

    What they did do was appear; their images were relayed to millions via television and Internet sites; newspapers recorded their exploits; magazines recounted their thoughts. ‘‘Media involvement,’’ to repeat Giles’s term, was the key to their deeds: they involved themselves with the media.

    Various accounts purported to explain the zeal with which consumers pursued celebrities, who, by the late 1990s, were assigned an unofficial alphanumeric rating, members of the A list afforded most prestige. Most arguments suggested that being a fan – and that probably included anyone who was aware of celebrities, i.e., all but recluses, hermits, and ascetics – sought and discovered a sense of empowerment. Though rarely interrogated, empowerment (at least in the context of celebrity culture) meant a fortification of confidence, especially in controlling one’s own life, and perhaps claiming one’s rights.

    The Leadership Vacuum and the Globalized Media

    While it appeared to pop out of a vacuum at the end of the 1980s, there were three conditions under which celebrity culture came into being. The first is a widespread loss of faith and confidence in established forms of leadership. In times of national crisis, we are forced to place our faith in traditional leaders. Engaged in war or under siege, people look to their politicians, generals, and church leaders. These were active people, who based their reputations on what they said and did.

    In the absence of crises, our commitment became less secure and we had no need to trust them anymore. In his Big League, Big Time, Len Sherman (1998) argues that, while celebrities might not have been obvious replacements, they were functional equivalents of leaders: people who represented, influenced, perhaps inspired and commanded our attention, if not respect. In addition, they possessed a kind of exemplary authority. As such, they became what Sherman describes as ‘‘the most watched, admired, privileged, and imitated people.’’

    The next condition was the time space compression. The globalization of the media introduced the capacity to transmit large volumes of information – news, entertainment, and advertising – around the world, not just quickly, but instantly. Satellites, or transponders, were the instruments of the media’s global expansion. By wrapping the world in an invisible network of communications, satellite broad casters were able to bounce information off satellites and send them literally anywhere. Satellite television companies recognized no national boundaries. This effectively meant that virtually everyone on earth was part of one huge market.

    Rupert Murdoch, perhaps more than any other media figure, exploited the opportunities offered by the satellite technology pioneered in the 1960s, and the deregulation and privatization of the television industry in the 1980s and early 1990s. In February 1989, Murdoch’s European satellite started beaming programs via satellite through his Sky network. By the end of the 1990s, his various channels reached 66 percent of the world’s population.

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